I’m taking a social media break, so enjoy my newer work (and older stuff) here.
Florida with some mobile filmmaking gear
Recently, I went to Florida. I didn’t plan any shoots and wanted to pack super light. Then I bought a DJI Osmo Mobile 2 gimbal for my iPhone. I should know better than to think I can’t go somewhere and not be a little creative.
Fujifilm X-T3 review: A landscape photographer's review
I mean, I photograph other stuff, but this is the most important. Read on to find out why.
The right gear: Fujifilm 56mm f1.2 Review
Has a camera lens actually inspired me enough to write a review? Yes. Well, sort of. I also just want to expand my writing portfolio.
2015 Holiday Roundup with the 24-70 Lens
It was a weird Christmas. I'm likely preaching to the choir about this, but it was just about 65 degrees on Christmas day, and the days around it for that matter. In March of last year, I was ecstatic that the snow began to melt and fade away -- now I officially miss it. Nonetheless, I had balmy conditions to test my latest acquisition -- the incredible Nikon 24-70 f2.8 lens. It was a strange Christmas, but a good one!
Downtown NYC Long Exposure
One photo. ONE PHOTO!
That's what comprises this week's project. While a part of me didn't think this qualified as a "52 Week Project", I realized that it took a few hours of prep. I took about twenty shots over the course of an hour and a half to get one passable photo - I'd consider that a project.
Holiday Photo Roundup
I guess it's the ocean that brings out the photographer in me. Or maybe it's the break from Reddit and the Internet at large. Whatever it was, I was more than eager to explore an oft-visited area of the country -- Mystic, Connecticut and the surrounding areas -- armed with cameras. Specifically, I came out swinging with my Fujifilm X100s, Lee ND filters, iPhone 6 Plus, and my new 85mm f1.8 for the Nikon.
Beating the Dead Horse: Fuji X100s Impressions
Frankly, I always knew this was a matter of time.
Less than a year ago, I purchased a Fujifilm X20 in lovely, lovely flat black. It's a terrific camera. It focuses fast, it reproduces the trademark colors of Fuji's most famous film stocks, and it's quieter than felt touching cotton.
However, something wasn't quite right. While the rest of the camera works very well, the sensor is ultimately the problem. While images look good initially, any post processing often drags copious amounts of grain into a photo -- even it it was shot in RAW format and is only being pushed by a single stop in Lightroom. Even when images weren't that altered, the dime-sized sensor reared its ugly head with excess noise and dramatic detail falloff in some situations. It was so nearly the camera I wanted it to be -- and thus, I kept leering amorously at the X100s, the "big brother" to the X20, wondering when I would take the plunge and grab it for myself.